“Judging by the frenetic applause, Vincenzo Bellini’s ‘I Capuleti e i Montecchi’ is the most joyous tragedy in a long time. The audience cheers, claps, stomps when young mezzo soprano Tara Erraught appears for her curtain call. Prior this weekend no one knew her. Now she’s a star.” (Bayerische Staatsoper, I Capuleti e i Montecchi) -Rudolf Neumaier

“Daringly she learned the role with five days notice, jumped in for the famous colleague and with the first sung note delivered a self-assured Romeo. Her mezzo is agile, very bright and direct (...). Roaring applause – first and foremost for Erraught.” (Bayerische Staatsoper, I Capuleti e i Montecchi) -Reinhard Brembeck

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“Erraught is one of those singers who take a real delight in negotiating the obstacle courses of virtuosic arias. She sounded fully at home in the brilliant greeting of “Nobles seigneurs, salut!” from Meyerbeer’s Les Huguenots, and delighted in fluttering balletically between the extremes of her range in Cinderella’s “Non più mesta” from Rossini’s La Cenerentola.” (National Concert Hall Dublin)